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DTSTART;TZID=Europe/Madrid:20250506T094500
DTEND;TZID=Europe/Madrid:20250506T180000
DTSTAMP:20260708T075837Z
CREATED:20250409T131936Z
LAST-MODIFIED:20260708T075837Z
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SUMMARY:4th Conference: “Making Music Together. Education and Creative Participation”
DESCRIPTION:DescriptionProgramDescription\nThe 4th Conference of the Pau Casals UNESCO Chair\, titled “Making Music Together. Education and Creative Participation”\, is framed within the humanistic and musical legacy of an artist deeply committed to his time\, who understood music as an expression of the best of the human condition. In contrast to war\, music represented for him a profound connection with the meaning of life\, a source of self-esteem and dignity\, both individual and collective. Beyond aesthetic enjoyment\, music is—and should be—an experience of encounter\, cooperation\, shared joy\, mutual commitment\, and respect. In short\, everything that contributes to the growth and strengthening of community spirit and citizenship. \nThe aim of this conference is to reflect on how citizens in our society access culture and basic musical education\, as well as on the role of music studies both in schools and in professional training. It will also address questions such as “why and for what purpose do we believe we need to make music together?” and “how could we ensure the possibility of doing so?” \nThe conference is free of charge and will begin at 9:45 a.m. It will feature artists such as Tarta Relena (a folk and progressive gregorian-inspired music group)\, Abel Antón Delgado (violinist and writer)\, and Quim Carandell (La Ludwig Band)\, among others. They will take part in a round table of professional musicians\, where they will share their experiences of making music together. This will be followed by a talk by Paolo Bortolameolli\, Associate Music Director of the Los Angeles Philharmonic. The programme will also include round tables and debates on music education. \nParticipants include Dr. Joan Fuster-Sobrepere\, Director of the Pau Casals UNESCO Chair; Dr. Alfons Martinell\, Co-Director of the Pau Casals UNESCO Chair; Ester Bonal\, music teacher and artivist\, Co-Director of EducArtS\, El Teler de la Música\, and Xamfrà; Anna Carné\, Coordinator of ConArte and cello teacher; Núria Sempere\, Director General of the Escola Superior de Música de Catalunya; and Jordi Pardo\, Director General of the Pau Casals Foundation. \nYou may attend the full day or only select round tables. \nProgram\nMORNING \n9.45-10.00 h Accreditation \n\n10.00-10.30 h Institutional opening\nWith contributions from:\n– Joan Fuster-Sobrepere\, Director of the Pau Casals UNESCO Chair and Associate Professor in the Arts and Humanities at the Universitat Oberta de Catalunya (UOC).\n– Jordi Pardo\, Director of the Pau Casals Foundation.\n– Anna Busquets\, Director of the Arts and Humanities programs at the UOC. \n\n10.30-11.30 h Video and debate: “Making Music Together?”\nWhy and for what purpose do we believe we need to make music together?\nHow could we ensure the possibility of doing so? \n– Moderated by: Ester Bonal\, music teacher and artivist. Co-Director of EducArtS\, El Teler de la Música\, and Xamfrà. \n\n11.30-12.00h Coffee break \n\n12.00-13.00h Round table: “Musical experiences in company”\n– With contributions from Tarta Relena\, Quim Carandell\, Abel Antón Delgado\, and others.\n– Moderated by: Anna Carné\, Coordinator of ConArte and cello teacher. \n13.00-13.30 h Video: Paolo Bortolameolli\n– Paolo Bortolameolli\, Associate Music Director of the Los Angeles Philharmonic\, Music Director of the National Symphony Orchestra Esperanza Azteca (Mexico)\, and Principal Guest Conductor of the Santiago Philharmonic (Chile). \n13.30-14.00h Discussion and debate\n– Presented and moderated by: Núria Sempere\, Director of the Escola Superior de Música de Catalunya. \n14.00-15.30h Lunch break (on your own) \nAFTERNOON \n15.30-17.00 h Debate: “Education and creative participation”\nWorld Café methodology session \n1. Why is it necessary to advocate for making music together?\n2. What successful experiences support its role in reducing inequalities (social\, educational\, and cultural)?\n3. What is needed at a national level to guarantee universal access to collective cultural practice and to break “glass ceilings”? \nTable 1: In general education settings\nTable 2: In music and arts schools\nTable 3: In community contexts \n\n17.00-17.45 h Plenary session with results\n– Moderated by: Joan Fuster-Sobrepere\, Director of the Pau Casals UNESCO Chair. \n17.45-18.00 h Conclusions and closing session\n– Alfons Martinell\, Co-Director of the Pau Casals UNESCO Chair. \nConference held in Catalan
URL:https://www.catedra.paucasals.eu/en/agenda/4th-conference-making-music-together-education-and-creative-participation/
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DTSTART;TZID=Europe/Madrid:20240529T094500
DTEND;TZID=Europe/Madrid:20240529T180000
DTSTAMP:20260703T151054Z
CREATED:20240502T084610Z
LAST-MODIFIED:20260703T151054Z
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SUMMARY:3rd Conference: Educating in Human Rights for Peace
DESCRIPTION:DescriptionProgramDescription\nThe 3rd Conference of the Pau Casals UNESCO Chair\, “Educating in Human Rights for Peace”\, is framed within the humanistic and musical legacy of an artist committed to his time through his lifelong advocacy for human rights and peace. It aims to provide a space for reflection on the role of music in intercultural dialogue and on the institutions that defend human rights and multilateralism for a better world. Its main objective is to analyse the relationships and interdependencies between peace education and cultural rights education. \nCultural rights are among the least explored areas within the human rights family. The role of culture in fostering dialogue in diverse and plural societies has become an essential priority\, as coexistence can be affected by situations of conflict in which the right of every person to participate in cultural life and respect for their identities are essential. \nThe conference is free of charge and will begin at 9:45 a.m. It will feature contributions from Jazmín Beirak\, Director General for Cultural Rights at the Spanish Ministry of Culture; Marina Caireta\, researcher and trainer in peace education at the School for a Culture of Peace; Beatriz Barreiro\, PhD in Human Rights and Associate Professor of Public International Law and International Relations at Universidad Rey Juan Carlos; Maider Maraña\, Director of the Baketik Foundation and international consultant on cultural rights and public policy; Jordi Font Agulló\, curator of the exhibition at El Born “Why War?”\, Director of the Democratic Memorial\, and cultural manager\, among others. Please consult the full programme for the complete list of participants. \nYou may attend the full day or only selected round tables. \nObjectives:\n\nTo continue a series of reflection and debate sessions on themes related to Pau Casals’ legacy.\nTo analyse the relationships and interdependencies between peace education and cultural rights education.\nTo deepen understanding of the content and scope of cultural rights within the human rights framework.\nTo learn from experience through the presentation of inspiring practices in this field.\nTo encourage greater attention from public administrations to these issues within public cultural services.\nTo contribute to the debate on the Catalan Peace Forum.\n\nWith the support of: \n  \n  \nAnd with the collaboration of:Centre d’Estudis i Recursos Culturals (CERC) of the Diputació de Barcelona and the Institut Català Internacional per la Pau (ICIP) \n  \nProgramMORNING \n9.45 – 10.00 h Accreditation \n10.00 – 10.15 h Institutional opening
 \nWith contributions from:\n– Joan Fuster-Sobrepere\, Director of the Pau Casals UNESCO Chair and Associate Professor in the Arts and Humanities at the Universitat Oberta de Catalunya (UOC).\n– Jordi Pardo\, Director of the Pau Casals Foundation.\n– Sílvia Plana\, Head of Strategic Alliances at the Catalan International Institute for Peace (ICIP). \n10.15 – 11.00 h In conversation on cultural rights
 \nWith contributions from:\n– Jazmín Beirak\, Director General for Cultural Rights at the Spanish Ministry of Culture.\n– Alfons Martinell\, Co-Director of the Pau Casals UNESCO Chair. \n11.00 – 11.30 h Coffee break \n11.30 – 12.30 h Round table 1
\n– “Educational synergies in human rights for peace” \nWith Maider Maraña\, Director of the Baketik Foundation and international consultant on cultural rights and public policy; Marina Caireta\, researcher and trainer in peace education at the School for a Culture of Peace; and Mireia Tresserras\, Co-Director at Educ’art\, educational and cultural services. \n– Moderated by Alfons Martinell\, Co-Director of the Pau Casals UNESCO Chair. \n12.30 – 13.30 h Round table 2
\n– “Protection and conflicts related to cultural rights” \nWith Beatriz Barreiro\, PhD in Human Rights and Associate Professor of Public International Law and International Relations at Universidad Rey Juan Carlos; Laurence Cuny\, international human rights lawyer and researcher; and Tere Badia\, international consultant and former Director of Culture Action Europe. \n– Moderated by Jordi Pascual\, Professor of the Master’s in Cultural Management at UOC and University of Girona\, and Coordinator of the Culture Committee of United Cities and Local Governments (UCLG). \n13.30 – 15.30 h Lunch break (on your own) \nAFTERNOON \n15.30 – 16.30 h Round table 3
\n– “The educational role of local cultural services for peace” \nWith Espai Avinyó\, Barcelona City Council (Teresa Fernández\, municipal lead of the BCN Interculturality Programme) and Fes! Cultura (Diego Salazar\, Director); the Libraries Without Borders project of the Catalan Agency for Development Cooperation (Marta Grau\, Head of Communication and Education); and the Pau Casals Museum (Núria Ballester\, Director). \n– Moderated by Nicolás Barbieri\, Professor at the Universitat Oberta de Catalunya (UOC)\, specialised in cultural rights and cultural policies. \n16.30 – 17.30 h Round table 4
\n– “Sharing experiences and local commitment” \nWith CreArt Association (Carol Pujadas\, Director); the Catalan Association for Peace (Teresa Palop\, Head of the Cultural Rights Programme); and the exhibition at El Born: Why War? (Jordi Font Agulló\, curator of the exhibition\, Director of the Democratic Memorial\, and cultural manager). \n– Moderated by Ester Bonal\, music teacher and Director of Xamfrà. \n17.30 – 18.00 h Final debate \n– Moderated by Joan Fuster-Sobrepere\, Director of the Pau Casals UNESCO Chair and Associate Professor in the Arts and Humanities at UOC. \n18.00 h Conclusions and closing \n*Conference held in Spanish
URL:https://www.catedra.paucasals.eu/en/agenda/3rd-conference-educating-in-human-rights-for-peace/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20231026T090000
DTEND;TZID=Europe/Madrid:20231026T183000
DTSTAMP:20260703T144653Z
CREATED:20230928T143913Z
LAST-MODIFIED:20260703T144653Z
UID:5056-1698310800-1698345000@www.catedra.paucasals.eu
SUMMARY:2nd Music and Social Transformation Conference
DESCRIPTION:DescriptionProgramDescription\n\n\n\n\nThe professional conference “Music and Social Transformation”\, included within the 2023 commemoration of the 50th anniversary of Pau Casals’ death\, will focus on the transformative role of music in social cohesion and inclusion\, intercultural dialogue\, and conflict prevention. It aims to provide an opportunity to collectively reflect on why it is necessary to advocate for music as both a right and a key tool in building more attentive and just societies\, while also highlighting existing work and amplifying the voices of people involved in projects at local\, national\, and international levels.\nThe reflections and content of the various sessions will seek to gather and systematize a set of illustrative experiences to improve the transfer of knowledge arising from social and cultural practices.\nBeyond sharing experiences\, and based on an analysis of the current situation\, the conference will also reflect on the outstanding challenges and possible lines of action needed to address them. Throughout the event\, attendees will hear the voices of people who have participated in music and community-based projects.\nRegistered participants will also take part in a collective musical experience. \nThe conference is free of charge and will begin at 9:00 a.m. It will feature contributions from María Claudia Parias\, President of the National Batuta Foundation of Colombia; Marina Garcés\, philosopher\, essayist\, and professor at the Universitat Oberta de Catalunya (UOC); José Luis Rivero\, CEO and Artistic Director of the Auditorio de Tenerife; Núria Sempere\, Director of the Escola Superior de Música de Catalunya (ESMUC); Hugo Cruz\, cultural creator\, programmer\, and researcher; Pablo González\, founder and director of the Vozes project\, among others. Please consult the full program for the complete list of participants. \n\nYou may attend the full day or only selected round tables/workshops. \n\nWith the support of the Diputació de Barcelona\n\n\n\n\n\n\n\n\nProgramProgram \nMORNING \n9.00 h Registration \n9.15 – 9.30 h Welcome and introduction\nWith contributions from: \n– Joan Fuster-Sobrepere\, Co-Director of the Chair and Director of the Arts and Humanities programmes at the Universitat Oberta de Catalunya (UOC). \n– Jordi Pardo\, Director of the Pau Casals Foundation. \n9.30 – 10:30 h Keynote lecture\n– “Music and Social Transformation” \nBy Marina Garcés\, philosopher\, essayist\, and professor in the Arts and Humanities at UOC\, in dialogue with Esther Bonal\, music teacher and director of Xamfrà\, and María Claudia Parias\, President of the National Batuta Foundation\, Colombia. \n10.30 – 11.00 h Coffee break \n11.00 – 12.00 h Round table 1\n– “Trends and perspectives on musical action in processes of social transformation” \nWith José Luis Rivero\, CEO and Artistic Director of the Auditorio de Tenerife\, Hugo Cruz\, cultural creator\, programmer\, and researcher\, and Núria Sempere\, Director of the Escola Superior de Música de Catalunya – ESMUC. \n– Moderated by Joan Fuster-Sobrepere\, Co-Director of the Chair and Director of the Arts and Humanities programmes at UOC. \n12.00 – 13.00 h Musical action workshop \nLed by the Institut Diversitats and the Riborquestra Association. \n13.00 – 14.00 h Round table 2 \n– “Inspiring practices\, learning from action (the importance of raising questions)” \nWith Pablo González\, founder and director of the Vozes project\, Nil Barutel\, director of Riborquestra; researcher at UPF and the Barcelona Institute of Culture\, Anna Carné\, coordinator and lecturer at ConArte Internacional and the “Cordes a Primària” project at the Municipal School of Music of Sant Feliu de Llobregat\, and Laura Folch\, cellist\, educator\, and designer of social projects. \n– Moderated by Oriol Pérez Treviño\, musicologist and essayist. \n14.00 – 15.30 h Lunch \nAFTERNOON \n15.30 – 16.30 h Round table 3 \n– “Readings of action. Debate on the challenges and questions of practice” \nWith María Claudia Parias\, President of the National Batuta Foundation\, Colombia\, Jordi Oliveras\, cultural facilitator and coordinator of Indigestió and the magazine www.nativa.cat\, and Erin Corine\, founder of Hola Magnolia Identityworks\, interdisciplinary artist\, identity and belonging coach\, and educator in diversity\, inclusion\, equity\, and anti-racism – DEIJ+. \n– Moderated by Nicolás Barbieri\, Professor at the Universitat Oberta de Catalunya (UOC)\, specialised in cultural rights and cultural policies. \n16.30 – 17.00 h Coffee break \n17.00 – 18.00 h Round table 4 \n– “Voices from practice. Giving voice to participants and experiences” \nWith testimonies from organisations such as Xamfrà\, the Vozes project\, the Riborquestra Association\, and the opera La Gata Perduda. \n– Moderated by Ester Bonal\, music teacher and director of Xamfrà. \n18.15 – 18.30 h Closing session with musical performance\n– Led by Alfons Martinell\, Co-Director of the Chair. \n*Conference held in Spanish \nDownload the programme: II Conference: Music and Social Transformation
URL:https://www.catedra.paucasals.eu/en/agenda/2nd-music-and-social-transformation-conference/
LOCATION:Centre d’Estudis i Recursos Culturals de la Diputació de Barcelona\, Carrer de Montalegre\, 7\, Barcelona\, Barcelona\, 08001\, Espanya
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20230522T100000
DTEND;TZID=Europe/Madrid:20230522T173000
DTSTAMP:20260703T081755Z
CREATED:20230419T155418Z
LAST-MODIFIED:20260703T081755Z
UID:5039-1684749600-1684776600@www.catedra.paucasals.eu
SUMMARY:Educating in Cultural Rights Workshop
DESCRIPTION:DescriptionProgramDescription\nContext \nThroughout his life\, Pau Casals placed music at the service of the ideals of peace\, justice\, and freedom. His artistic career was linked to a firm social commitment to the issues of his time. His defense of fundamental human rights and peace\, from his position as a musician\, allows us to situate his legacy in contemporary debates on the social role of culture and the defense of cultural rights. \nThe Pau Casals Chair aims to promote a space for reflection on the need to develop a deeper understanding of cultural rights\, fostering education and their inclusion in the programming of various cultural and educational services\, such as museums\, libraries\, community centers\, arts schools\, art centers\, and others. \nSince the adoption of the Universal Declaration of Human Rights in 1948\, key international human rights law instruments have referred to culture. The right of every person to freely participate in cultural life is enshrined both in that declaration and in the International Covenant on Economic\, Social and Cultural Rights (1966)\, among other documents. \nIn accordance with the principles of indivisibility and interdependence of human rights\, the right to participate in cultural life cannot be separated from other human rights. Likewise\, the fundamental principles of human rights as a whole—such as universality\, equality\, and non-discrimination—also apply to cultural rights. This means that every person must be able to exercise their cultural rights\, and that measures must be adopted when clear inequalities are identified among people living in a given territory or when obstacles to their effective enjoyment are detected. \nIn recent years\, the United Nations’ approaches to cultural rights\, following General Comment No. 21 of 2009 and the establishment of the mandate of the Independent Expert in the field of cultural rights within the Committee on Economic\, Social and Cultural Rights\, have broadened and deepened different aspects of the recognition and exercise of these rights within our cultural systems. Areas of study and analysis in various reports highlight the need to further develop the role of cultural services in education and awareness-raising on cultural rights. There is a noted lack of integration of the cultural rights approach in the discourse and narratives of many cultural institutions and services. In this context\, there is also a perceived lack of specialized training on this subject among cultural managers\, educators\, and cultural professionals\, to which this activity seeks to contribute. \nActivity organized within the framework of International Museum Day. \nThe workshop \nThis activity is a training workshop on cultural rights education. Its main objectives are: \n\nTo contribute to the knowledge and awareness of cultural rights in educational and cultural contexts.\nTo promote reflection and dialogue on cultural rights\, their expressions\, and their presence in everyday life.\nTo foster a cultural rights-based approach in the programming of cultural institutions and projects.\nTo identify cultural rights as one of the key components of transversal civic competences within the educational curriculum and to ensure their presence in the education system.\nTo provide tools for working on cultural rights in educational settings within cultural services.\n\nContents and methodology \n\nUnderstanding cultural rights. The theoretical framework and its practical application. The starting point: the realities we face. Experiencing cultural rights.\nThe lived experience of cultural rights\, from the museum\, from the educational centre\, and from home. A framework of proposed activities and reflections.\nExploration of inspiring experiences. The immediate environment of educators and knowledge of the social and cultural context.\nDesign of tools and resources for monitoring and applying learning within cultural services.\n\nPlease note \nAttendance at the workshop is free of charge\, but prior registration is required. Registration will be open from 20 April until 19 May at 3:00 p.m. The Chair is organising a standing lunch in the Museum gardens for all speakers and for those participants who wish to attend. If interested\, participants must select the lunch option and pay a fee of €18 when registering. Given that only one hour is available for lunch and the limited gastronomic options in the area on Mondays\, this option is recommended. \nProgram10 – 10.15 h Presentation \n10.15 – 11 h Cultural rights\, tools\, and current approaches\nLed by Maider Maraña\, Director of the Baketik Foundation (Basque Country) and specialist in cultural rights. \n11 – 11.30 h Coffee break \n11.30 – 12.30 h Basic concepts of cultural rights\nGroup work led by Alfons Martinell\, Co-Director of the Pau Casals Chair and Professor Emeritus at the Universitat de Girona. \n12.30 – 13.30 h Educational tools and resources applied to cultural rights\nLed by Mireia Tresserras\, Co-Director of educArt s.l.\, museum educator\, and researcher in cultural rights and education. \n13.30 – 14.30 h Visit to the Pau Casals Museum. Educating through music and values\nPresentation of the educational project and guided visit to the Museum. Led by Núria Ballester\, Director of the Pau Casals Museum. \n14.30 – 15.30 h Lunch – networking \nThe Chair is organizing a standing lunch in the Museum gardens for all speakers and for those participants who wish to attend. If interested\, participants must select the lunch option and pay a fee of €18 when registering. Given that only one hour is available for lunch and the limited gastronomic options in the area on Mondays\, this option is recommended. \n15.30 – 16.45 h Conversation: “Cultural institutions and cultural rights. Perspectives and experiences” \n\nCultural rights and sustainability in rural contexts. Gemma Carbó\, Director of the Museu de la Vida Rural in Espluga de Francolí and President of the Interarts Foundation. Expert in the relationship between culture and education.\nEducating in cultural rights within families. Mireia Mayolas\, Head of Education and Activities at the Museu Marítim de Barcelona and trainer of museum educators.\nCultural rights in libraries. Estefanía Rodero\, researcher and cultural activist with a strong focus on books and reading culture.\nHeritage\, cultural rights and conflicts. Teresa Reyes\, Head of the Technical Section of the Cultural Heritage Office of the Diputació de Barcelona.\n\nModeration: Nicolás Barbieri\, Professor at the Universitat Oberta de Catalunya (UOC)\, specialised in cultural rights and cultural policies. \n16.45 – 17.30 h Conclusions and closing session
URL:https://www.catedra.paucasals.eu/en/agenda/educating-in-cultural-rights-workshop/
LOCATION:Museu Pau Casals\, Avinguda Palfuriana 67\, Platja de Sant Salvador\, El Vendrell\, Barcelona\, 43880\, Espanya
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20221027T100000
DTEND;TZID=Europe/Madrid:20221027T173000
DTSTAMP:20250710T142434Z
CREATED:20221006T173421Z
LAST-MODIFIED:20250710T142434Z
UID:887-1666864800-1666891800@www.catedra.paucasals.eu
SUMMARY:I Conference Culture and Heritage at War
DESCRIPTION:DescriptionProgrammeConclusionsDocumentsVideosDescriptionThe first half of the twentieth century in Europe was characterized by the two great world wars and their effects on the population and a significant destruction of cultural heritage. This context influenced the personal and artistic trajectory of Pau Casals\, who understood that music could not remain on the sidelines of the problems of people and life. \nThe constitution of the United Nations and multilateralism opened the doors to dialogue between countries to build a better future. The 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict opened a new stage that\, with the support of UNESCO\, advanced to consider cultural heritage as an asset of humanity. \nDespite this reference in international law\, unfortunately\, some violations stand out\, such as in the Balkan conflict (1991)\, the Bamiyan Buddhas (2001)\, the Iraq war (2003) or the Syrian civil war (2011)\, among other infractions. These events have mobilized global awareness of the need for effective heritage protection in the event of armed conflicts. Led by UNESCO\, which at the 2015 Conference reinforced its action in this field with a new strategy of international cooperation between states\, to prevent the material destruction and the denunciation of the illegitimate trafficking of works of art. \nAt present\, the war in Ukraine shows us the lack of respect for cultural heritage and infrastructures\, which obliges us to update our thinking on the subject and to encourage greater involvement of cultural agents in the protection of world heritage as a sign of solidarity. \nWithin this framework\, this first conference is convened with the following objectives: \n\nTo emphasize the importance of the defence of human and cultural rights in current war conflicts.\nTo recall international conventions and agreements related to the deliberate destruction of culture as a weapon of war.\nTo reflect on the commitment of the international community.\nTo encourage international solidarity for the cultural reconstruction of countries that have suffered war or conflict.\n\n– Check the dossier “Protect cultural property in the event of armed conflict” published by UNESCO.Programme\nMORNING\n10-10.30 am Inauguration.\nWith the participation of: \n– Narcís Serra\, vice-president of the Pau Casals Foundation.\n– Joan Fuster-Sobrepere\, co-director of the Chair and director of the UOC’s Arts and Humanities department.\n– Jordi Pardo\, director of the Pau Casals Foundation. \n10.30 -11:15 am Speech 1\n– “The importance of protecting cultural heritage in contemporary armed conflicts”. By Jan Hladík\, former secretary of the 1954 Convention.\n– Presentation by Alfons Martinell\, co-director of the Chair. \n11.15 – 12 am Speech 2\n– “Cultural Rights and intentional destruction of Heritage.” By Jesús Prieto de Pedro\, professor emeritus of the UNED specialize in cultural law.\n– Presentation by Alfons Martinell\, co-director of the Chair. \n12 -12.30 am Coffee break \n12.30-2 pm Round Table 1: “Destruction of heritage in war”.\n– Presented and moderated by Jordi Pardo\, director of the Pau Casals Foundation.\n– Isber Sabrine\, Syrian archaeologist and president of “Heritage for peace.”\n– Gloria Munilla\, Professor of Historical and Archaeological Heritage at the UOC.\n– Jan Hladík\, former secretary of the 1954 Convention \n2-4pm Lunch on your own\n \nAFTERNOON\n4 -5.30 pm Round Table 2: “Destruction and resistance of cultural rights in war”.\n– Presented and moderated by Joan Fuster-Sobrepere\, co-director of the Chair.\n– Ricard San Vicente\, professor of Slavic philology at the University of Barcelona.\n– Jordi Pascual\, UCLG culture coordinator and specialist in cultural rights.\n– Jesús Prieto de Pedro\, professor emeritus of the UNED specialize in cultural law. \n5.30 pm Closing\n– By Alfons Martinell\, co-director of the Chair. \nConference in Spanish and English with simultaneous translation service \nDownload the programme: Conference Culture and heritage at war \nConclusions\nSummary of the conclusions\nThe conference held on October 27\, 2022\, sought to highlight the importance of the defence of human and cultural rights in current armed conflicts and to bring to light the conventions\, declarations and international law related to the deliberate destruction of culture as a weapon of war. Throughout the presentations and discussions\, various contributions to be considered were expressed. \nThe need to relate the intentional destruction of heritage to cultural rights was raised\, in accordance with the report of the United Nations expert. We must bear in mind that war also destroys the cultural life of the population who cannot exercise their right to participate freely. In some cases\, conflict can descend into a kind of cultural cleansing\, attempting to deny the values of the other with little respect for diversity. \nThe defence of cultural rights and the cultural dimension of human rights as a whole\, in these war contexts\, is considered a necessary approach\, as well as the relationship with the 2030 Agenda\, which in its SDG 16 proposes to promote peaceful and inclusive societies\, and access to justice for all. \nThe different interventions proposed a vision of integral cultural heritage\, understood as the conjunction of immovable\, intangible and natural heritage\, according to the latest definitions\, and respect for cultural diversity. This perspective recognizes that the cultural destruction of war goes beyond historic buildings and affects the proper functioning of facilities\, events\, festivals and cultural traditions and the organization of collective cultural life. \nIn view of the situation we are living\, in Ukraine\, but also in other places\, it is considered essential to give visibility to the destruction of cultural heritage by trying to get the media to echo these aspects that are often hidden. \nWe propose that the different cultural agents and actors mobilize for the dissemination and commitment to this cause and respect for other cultures. And that the different cultural spheres and expressive languages contribute with their visions and representations of this global conflict. \nEncourage international solidarity for the cultural reconstruction of countries that have suffered war or conflict through international development cooperation agencies. Study the possibility of creating specific aid funds (such as humanitarian aid) for emergency and prevention purposes and for the protection of personnel defending the heritage. \nMaintain constant observation of the realities in which these rights are violated in order to communicate them in general and to complement media reports with data on the impact of wars on culture. In the same way\, we should encourage the collection of information and documentation on the effects of the war on cultural heritage as an exercise of memory and for future processes. \nConsult the complete conclusions of the conferenceDocumentsConclusions of the Conference\, Octubre 27\, 2022 \nPresentation by Isber Sabrine\, Syrian archaeologist president of Heritage for peace \nPresentation by Glòria Munilla\, Professor of Historical and Archaeological Heritage at the UOC \nDossier “Protect cultural property in the event of armed conflicts” elaborat per la UNESCOVideos\nVideos of the Conference “Culture and Heritage at War”\n\n1.- Inauguration\n\n2.- Speech Jesús Prieto de Pedro\n\n3.- Speech Jan Hladík\n\n4.- Round table “Destruction of heritage in war”\n\n5.- Speech by Josep A. Planell\, rector of the UOC\n\n6.- Round table\n\n7.- Closing
URL:https://www.catedra.paucasals.eu/en/agenda/conference-culture-and-heritage-at-war/
LOCATION:Centre d’Estudis i Recursos Culturals de la Diputació de Barcelona\, Carrer de Montalegre\, 7\, Barcelona\, Barcelona\, 08001\, Espanya
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